As an ex-police officer, I have experienced many of the things that I write about, albeit in the modern age: I’ve investigated scenes of sudden and violent death, attended post-mortems, and chased the odd suspected criminal through the streets. After a few years on the beat, I left the force and went to university as a mature student, where I received a PhD for my research into early modern law and literature. I now combine my love of all things true crime with my passion for early modern legal history in the books I write about historical crime, murder, and violent death.
I wrote
Great and Horrible News: Murder and Mayhem in Early Modern Britain
Although the trials in this book may be fictional, they are based on true cases from the author’s decades of experience as a high court judge.
I could not help but be immersed in the drama of these murder trials and the gory details one tends to shy away from. Indeed, these stories were so gripping I found each case flew by!
Along the way, I learned a lot about English law, the courts, and the humanity of those embroiled in the criminal justice system.
THE INSTANT SUNDAY TIMES BESTSELLER WINNER OF THE CWA GOLD DAGGER FOR NON-FICTION 2023
'Lifts the lid on what it's like to dispense justice ... a gripping insight ... beautifully crafted ... grim tales lifted by humour and honesty.' The Times
Wendy Joseph's gripping account of the law at work reads like a cliffhanger.' Sunday Times
'Absolutely superb. 5 stars for sheer readability alone. Her Honour entertains as she educates us about murder, about the law and about how we human beings are shaped as we create the culture we live with.' PHILIPPA PERRY, author of THE BOOK YOU WISH…
I am fascinated by crime scenes, how they are meticulously processed by investigators, and how even the smallest pieces of evidence can blow a case wide open.
I honestly felt like I was being led step-by-step through the bloody murder scene featured in this book and was stunned by the bizarre mystery the lead detectives began to unravel from an extremely strange and unusual crime scene.
The full true story of the lululemon murder and what really happened to Jayna Murray and Brittany Norwood--photos included.
It was a crime that shocked the country. On March 12, 2011, two young saleswomen were found brutally attacked inside a lululemon athletica retail store in Bethesda, Maryland, one of the nation’s wealthiest suburbs.
Thirty-year-old Jayna Murray was dead—slashed, stabbed, and struck more than three hundred times. Investigators found blood spattered on walls, and size fourteen men’s shoe prints leading away from her body.
Twenty-eight-year-old Brittany Norwood was found alive, tied up on the bathroom floor. She had lacerations, a bloody…
The tragic murder of a child and the indomitable detective who strove to bring the killer to justice: what a read! The amount of research that went into this book is incredible.
As a fellow author of historical true crime, I am seriously impressed with how Summerscale weaves her research into such a moving and, at times, deeply shocking narrative.
It was an inspirational read that inspired me to write my own historical true crime.
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WINNER OF THE SAMUEL JOHNSON PRIZE FOR NON-FICTION
THE NUMBER ONE BESTSELLER
A RICHARD AND JUDY BOOK CLUB PICK
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'A remarkable achievement' - Sunday Times
'A classic, to my mind, of the finest documentary writing' - John le Carre
'Absolutely riveting' - Sarah Waters, Guardian
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On a summer's morning in 1860, the Kent family awakes in their elegant Wiltshire home to a terrible discovery; their youngest son has been brutally murdered. When celebrated detective Jack Whicher is summoned from Scotland Yard he faces the unenviable task of identifying the killer - when the grieving family are the…
Finally, a book that is wholly focused on the victims of one of history’s most notorious (and anonymous) serial killers.
Moreso than the descriptive details of five gruesome murders, I think the importance of this book is the conclusion Rubenhold reaches on women, sexuality, poverty, law, and justice in the Victorian age.
THE #1 SUNDAY TIMES BESTSELLER WINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION 2019 'An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming' GUARDIAN
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888.
I’ll never forget this book because it put me front and center of a murder trial from the perspective of the victim’s family.
Imagine sitting in court and looking into the eyes of the man who killed your nearest and dearest. What would that feel like? How would I even begin to process that experience?
I found this story really opened a whole new perspective in the genre of true crime writing.
Selected as a Book of the Year 2017 in the Guardian
'Maggie Nelson's short, singular books feel pretty light in the hand... But in the head and the heart, they seem unfathomably vast, their cleverness and odd beauty lingering on' Observer
In 1969, Jane Mixer, a first-year law student at the University of Michigan, posted a note on a student noticeboard to share a lift back to her hometown of Muskegon for spring break. She never made it: she was brutally murdered, her body found a few miles from campus the following day.
My book explores the strange history of murder and violent death in early modern Britain. Through original research using coroner’s inquests, court records, parish archives, letters, diaries and pamphlets we uncover incredible tales of murder and mayhem, we experience the drama of murder trials, discover how crimes were investigated, follow on the trail of wanted fugitives, and witness the horrific ‘justice’ of executions.
These stories of murder may belong to a distant past, yet in many ways, they will strike modern readers as hauntingly familiar.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
